Behringer NEO Series 

Speaker systems

Hosa Technology SNX Series 

Pro-conex stage boxes

Tascam HS-P82 

Eight-track pro field recorder

Alesis iO2 Express 

USB recording interface

JK Audio Ships BlueDriver 

The BlueDriver received a Radio magazine Pick Hit a the 2010 NAB Show.

Samson Technologies Expedition XP510 

Portable PA system

JK Audio BlueDriver Series 

Wireless audio interfaces

Comrex Access Reporter Codec 

Android app

Tieline Technology Report-IT Live 

iPhone IP audio codec application

Sennheiser Electronic HMD 26 

Broadcast headset

Broadcasting the Colorado Symphony Orchestra 

Colorado Public Radio recorded and broadcast a concert with the Colorado Symphony Orchestra and Yo-Yo Ma as part of a pledge drive. Mike Pappas led the way.

IP remotes: Instantly Practical 

Learning how to use IP codecs takes a little time and may require some patience on your part. Using IP codecs for remotes can provide some excellent results.

KFLP-FM Uses Stream Guys and Barix for Syndication 

The West Texas Friday Night Scoreboard Show uses Stream Guys low-latency Internet distribution service with Barix audio-over-IP hardware devices to feed 35 affiliates in 33 markets

Remotes via IP 

In the January Trends in Technology I discussed the difference between TDM and IP in the context of a station's STL system. I asserted that with a LAN

New Year's Eve 2007: Berklee College of Music 

We spent a few hours talking through how everything would be handled, from power access to running the audio and com (including video) lines from the performance space, through the kitchen and out to the truck.

New Year's Eve 2007: Jazz Standard 

We spent a few hours talking through how everything would be handled, from power access to running the audio and com (including video) lines from the performance space, through the kitchen and out to the truck.

New Year's Eve 2007: Dazzle Restaurant 

Presenting in surround really makes the experience so much better. Jazz typically lends itself to doing surround, because you generally have a real audience and real musicians. It is not heavily post-produced.

New Year's Eve 2007: Dakota Jazz Club 

For this presentation by Nachito Herrera, we had three keyboards added at the last minute on a small stage and we were able to work things out.

New Year's Eve 2007: San Francisco 

You can't capture everything, but you want to hear almost all the details you can possibly put into it. What you end up doing is filling holes. When something falls out of the mix, you find it and grab it. If something pops up you grab that, too.

Neural-THX Surround Used for Super Bowl XLII Broadcasts 

Some Super Bowl TV viewers with a Neural surround decoder will be treated to a new audio experience at this year's Super Bowl.

A remote remodel 

When building a new remote broadcast system, find the correct balance between functionality and ease of use.

Eight minutes or less 

When WBAL/WIYY had to design a production kit to cover the Baltimore Ravens, portability was important, but not the key. Time was the constraining factor. In this case, tear-down time had a special motiviation for the station if the crew wanted to catch the ride home.

Colorado Symphony Orchestra Opens Season with Live 5.1 Surround Sound Broadcast 

KVOD, Denver, will broadcast the Colorado Symphony Orchestra's 2006-2007 Masterworks season opening program on Sept. 16 in 5.1 surround sound, using Neural Audio's 5.1 technology for analog and HD Radio.

On the Air In the Air with Peter Greenberg 

Peter Greenberg broadcasted his radio talk show, Travel Today with Peter Greenberg, from a jet flying from Frankfurt Germany to New York via the Internet.

Taking the show on the road 

As technology has progressed, broadcasters have found ways to use improved technologies in unique ways to make remote broadcasts sound as good as being in the studio, but with the convenience of lighter and more flexible equipment.

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