McDSP Retro Recorder 

Enhanced mobile recording

Behringer Europort EPA150 

Portable PA system

Behringer B208D, B210D 

PA loudspeakers

Mackie 2404 VLZ3 

Four-bus live mixer

Roland R-05 

Portable recorder

Samson Technologies Zoom Q3HD 

Handheld video recorder

Behringer NEO Series 

Speaker systems

Hosa Technology SNX Series 

Pro-conex stage boxes

Tascam HS-P82 

Eight-track pro field recorder

Alesis iO2 Express 

USB recording interface

Sonifex CM-CU21 

Commentator unit

Roland RSS S-0808 

Digital snake

JK Audio Ships BlueDriver 

The BlueDriver received a Radio magazine Pick Hit a the 2010 NAB Show.

Sennheiser Electronic HMD 26 

Broadcast headset

Samson Technologies Expedition XP510 

Portable PA system

JK Audio BlueDriver Series 

Wireless audio interfaces

Comrex Access Reporter Codec 

Android app

Tieline Technology Report-IT Live 

iPhone IP audio codec application

Broadcasting the Colorado Symphony Orchestra 

Colorado Public Radio recorded and broadcast a concert with the Colorado Symphony Orchestra and Yo-Yo Ma as part of a pledge drive. Mike Pappas led the way.

IP remotes: Instantly Practical 

Learning how to use IP codecs takes a little time and may require some patience on your part. Using IP codecs for remotes can provide some excellent results.

KFLP-FM Uses Stream Guys and Barix for Syndication 

The West Texas Friday Night Scoreboard Show uses Stream Guys low-latency Internet distribution service with Barix audio-over-IP hardware devices to feed 35 affiliates in 33 markets

New Year's Eve 2007: Berklee College of Music 

We spent a few hours talking through how everything would be handled, from power access to running the audio and com (including video) lines from the performance space, through the kitchen and out to the truck.

New Year's Eve 2007: Jazz Standard 

We spent a few hours talking through how everything would be handled, from power access to running the audio and com (including video) lines from the performance space, through the kitchen and out to the truck.

New Year's Eve 2007: Dazzle Restaurant 

Presenting in surround really makes the experience so much better. Jazz typically lends itself to doing surround, because you generally have a real audience and real musicians. It is not heavily post-produced.

New Year's Eve 2007: Dakota Jazz Club 

For this presentation by Nachito Herrera, we had three keyboards added at the last minute on a small stage and we were able to work things out.

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