AEQ PAW 120
American broadcasters may not be as familiar with equipment made by Madrid-based AEQ as other broadcast brands, but the designer and manufacturer of radio equipment has an extensive track record of major studio installations elsewhere.
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Do you spend less time with other media because you're always online?
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Remember the Ampex Disc Spot? This merging of a tape recorder and a phonograph never really took off.
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In honor of Greater Media's 50th birthday, here's a look back at its first years.
When technology fuels creativity
Take the mystery out of choosing a digital audio workstation. One producer looks at the various options and helps weigh the choices for you.
HHB Flash Mic DRM85
With 1GB of fixed internal memory, the Flash Mic offers six available 16-bit linear PCM or MPEG recording formats ranging from uncompressed 48kHz WAV, to compressed 32kHz MP2.
Sony PCM-D1
With the introduction of the PCM-D1 solid-state recorder, the radio industry has an entirely new animal on the playing field: a portable flash recorder with high quality microphones as an integral part of the package.
Adobe Audition 2.0
The feared and more expensive takeover by Adobe has come and gone and with it Adobe Audition 2.0 has arrived and is changing the way engineers listen and produce.
AEQ DR-100
Recently, Orlando’s WBDO news department needed some new field recorders. It chose the AEQ DR-100. Read this article to find out why.
Preparing for the gold
Proving that it's never too early to start planning, Westwood One began planning for the 2006 Winter Olympics coverage during the 2004 Summer Olympics in Athens.
