Genelec's 6010A and 5040A active speaker system allows for portable and compact studio reference monitoring with no sacrifice of quality and accuracy. Setup is a breeze and the acoustic design makes for stellar performance in not-so-stellar environments.
The MX 560 earbuds, the HD 280 Pro professional studio headphones, and the PXC 450 noise canceling headphones made the grade.
It is obvious KRK put some work into these speakers, with intuitive features that make the Rokit Series adaptable to many acoustic environments and audio situations. I must say, when you consider the price, the sound and the features, these speakers stack up pretty well against the competition.
The headset uses APT Apt-X coding.
The compact subwoofer extends frequency range of desktop monitors.
The monitor features an 8" driver and a beryllium-copper tweeter.
Audio-Technica debuts a straight-cable option for its flagship ATH-M50 professional studio monitor headphones, the new ATH-M50s.
Wearing headphones every day as a radio disc jockey and recording musician, there are a few things I require in a good pair: great sound, comfort, durability and serviceability. The Ultrasone Pro 750 headphones measure up to all my requirements.
THX PM3 certification provides a foundation for standards in acoustics, noise levels and equipment performance.
Watchband more than exceeded the expectations of Nasau Vermont: Not only can all 14 stations be monitored from one location, but the group can also monitor all the stations plus its competition from any location that has network access.
After two months of renovation, the Montreal Science Centre will reopen with new, unique exhibits.
Loudspeaker brand M&K Sound has been taken over by a new team headed up by longtime M&K distributors Per Becher and Asger Bak.
Audio Science has added two PAL/SECAM-TV tuner versions of its ASI8700 series of broadcast tuner PCI adapters to its product offerings.
Radio stations finally have an HD Radio monitor that can be mounted in a rack to interface with the professional equipment within a radio station.
The topic of surround sound has grow from a small topic to one of prominence at radio and audio engineering conferences.
Dead air is a program director's worst nightmare, and while no station is immune from it, this is easy insurance.
Frequency response, power handling and output level capability are all important factors to consider when choosing a speaker. These specs can provide a general baseline for making a final selection, but the real test in the sound.
Critical recording requires critical monitoring; a perfect job for the Benchmark Media DAC1.
The HD 280 Pro is a closed-back, circumaural design with neodymium drivers and an 8Hz to 25kHz frequency response.
Sierra Automated Systems - Riolink | AEQ - Swing and Eagle | ATI - AMM200
Composite and baseband audio fail-safe monitor.
Powered monitor speakers
If you ask most jocks/announcers what type of loudspeakers they would like in the control room, you might hear a response like “lots of power so I can feel the music.” If you put this query to the station engineer, you're just as likely to get a different response with specs on sensitivity and power handling.
QSC Audio Powerlight 2 series: This line of amplifiers includes four models ranging in power from 900W to 1850W per channel, all in 2RU chassis that are