Lee Shepherd reviews this audio transport system.
Just about every feature we have appreciated in the broadcast cartridge has been replaced by a more flexible and better-sounding alternative.
Paul A. Litwinovich reviews this radio automation system.
The phrase “radio production” is a catch-all phrase used to describe any event that is not created live on the air. Production reaches farther than commercials and includes non-commercial production work such as station imaging and promotion, and feature program origination.
When I started in radio, at a small AM/FM in Iowa, microphones were simple and cheap. There was always an abundance of hand-held stick-mics and inexpensive stand-mounted microphones. These ancient necessities of the business were neither powered nor processed. Did they sound good? Not really.
Neumann's recent addition to the stage microphone category has provided the broadcaster with a new and effective tool.
Festival employs AAC algorithm.
Audio processing at NAB2001
Incrementally or all at once, the transition is coming. How digital is your facility?
The most critical focal point in a radio studio is the audio console.
When NPR planned its coverage of the Presidential inauguration in January 2001, the details of the election itself were the top headlines.
Wouldn't it be nice to send a recorder into the field that never came back to the shop for repair? Most field recorders rely on mechanical transports
The Internet is based on a layered protocol model. Each layer provides specific services and has particular responsibilities. The Internet protocol, or
The Sonifex Courier is a portable hard disk-based recorder. Alan Van Zelfden reviews it.
Leaving the comforts of the studio allows radio to shine in the limelight. Audio quality is important, but so is the physical presence of the station.
Remote broadcasts for radio stations have always been challenging.
John Diamantis takes the POTS codec for a spin in this review.
Condensors are popular, but dynamic mics are still a viablle choice.
Condenser microphones require a power source to operate. Sometimes, this power can be provided internally with a battery, but an external supply is more common.
Salem Los Angeles taps Symetrix for mic processing needs.
The satcaster installs telephone interfaces and audio processing.
Two-channel microphone preamplifier
The technology has matured so that it is economically sensible to install a digital console - and also take a step toward the future.When you enter an
For maximum flexibility, the current state of creative audio art has drawn on tools from radio stations, recording facilities and project studios.
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