When it comes time to connect the audio sources and destinations, how will you succeed?
Stations expect digital playback systems to help manage media inventories, automatically record and insert live feeds and voice tracks, work seamlessly with satellite formats and operate as a live assistant for shows.
Read about a studio move on a grand scale, taking the network operation more than halfway across the country from its previous location in Las Vegas.
We are all aware that the economy has slowed down, and that advertising revenue is down for radio companies across the country. With capital budget time
Let creativity thrive by providing the proper tools and a comfortable work space for the idea factory of the station.
Make the archives useful while preserving their longevity.
Cetec Centurion | Disk Lathes | Digital Radio Purchasing Intent
Kirk Chestnut reviews the portable, solid-state-media recorder.
Russel Smith reviews this audio storage and playback system.
Floating point or fixed point? What does it all mean?
Whether it's sports, news or general talk, all that jabber presents some interesting challenges to the engineer responsible for maintaining a good and intelligible sound.
It's time for The Mighty Wurlitzer Radio Hour program to originate live on WCLV-AM and FM from the home of the John Milton Williams Museum of Radio Broadcasting History.
Depending on your application, there are few different styles of routers to choose from in varying price ranges.
It is generally advisable to use a separate processor when setting up an Internet stream for the purpose of re-broadcasting your station over the Internet.
Composite and baseband audio fail-safe monitor.
Powered monitor speakers
The problem of file incompatibility is found primarily at two levels: between different platforms or operating systems and between applications generating data files that utilize proprietary formats.
IMediaLogger is a software-based audio logger with an HTML user interface. Learn more about it in this review.
The 1RU device has two independent channels, each with six front-panel controls. Read this review to learn more.
Establishing a station's on-air sound can be a subject of great debate. The original purpose of audio processing, preventing overmodulation and adding pre-emphasis, is still a primary function.
At a first glance, Epicenter might seem like just another audio routing switcher, but behind the front panel and flashing lights, there's a lot more going on.
Just about every feature we have appreciated in the broadcast cartridge has been replaced by a more flexible and better-sounding alternative.
Lee Shepherd reviews this audio transport system.
Paul A. Litwinovich reviews this radio automation system.
The phrase “radio production” is a catch-all phrase used to describe any event that is not created live on the air. Production reaches farther than commercials and includes non-commercial production work such as station imaging and promotion, and feature program origination.
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