Devices that use some type of perceptual audio encoder have become ubiquitous in radio and TV broadcasting, as well as in recording and production studios.
Festival employs AAC algorithm.
All about wired connections at NAB2001.
When NPR planned its coverage of the Presidential inauguration in January 2001, the details of the election itself were the top headlines.
Incrementally or all at once, the transition is coming. How digital is your facility?
Remote broadcasts for radio stations have always been challenging.
John Diamantis takes the POTS codec for a spin in this review.
Leaving the comforts of the studio allows radio to shine in the limelight. Audio quality is important, but so is the physical presence of the station.
Chances are very good that you have been exposed to the artifacts of perceptual audio coding without even knowing it. Perceptual audio coding, in a general