Side by Side: On-air Condenser Mics
Dynamic mics are everywhere. The EV RE-20 and its cousin the N/D-27 are probably the most ubiquitous dynamic studio mics in use. The Shure SM7 (and still sometimes the SM5) are also common. Heil has made inroads as well. Even Neumann has the BCM 705. But there is another option to the dynamic mic. Perhaps it's time to consider a condenser mic in the studio.
There are misconceptions about condenser vs. dynamic mics for on-air use. Some claim condensers aren't rugged enough for jock use. That's not really true any more. The cost of many condensers can be higher than a dynamic, but not by much. Condensers require phantom power, but most preamps and consoles can provide that with no effort.
There are potential benefits for condensers. Condensers usually have a lower self-noise floor and higher sensitivity than dynamics. A condenser's lighter diaphragm (compared to a dynamic) can respond quicker to transient sounds. Condensers typically have a flatter frequency response as well. We selected a few common condenser choices for radio studios.
|S/N A weighted|
Click here to enlarge the polar patterns.
Acceptable Use Policy blog comments powered by Disqus
[an error occurred while processing this directive]
Today in Radio History
The history of radio broadcasting extends beyond the work of a few famous inventors.
Read each issue online in our Digital Edition Format in your Web browser.
EAS Information More on EAS
The feed provides feeds for all US states and territories.
Need a calendar for your computer desktop? Use one of ours.
Information from manufacturers and associations about industry news, products, technology and business announcements.
Browse Back Issues[an error occurred while processing this directive]
Also in the November Issue
- Trends in Technology: HD Radio Transmission Update
- Franken FM Stations
- Wi-Fi on Wheels: The Connected Car
- Field Report: Yamaha MG10XU
- Transmitter Site Cleanup