Studio Technologies announcer's consoles played a big role in bringing two of 2004's biggest sporting events back to their audiences. Remote engineer Raul Velez reviews these controllers.
The Xport can transmit audio via POTS or ISDN to a studio-located ISDN Zephyr codec. Kirk Chestnut provides a review.
Vermont Public Radio has increased its demand on condenser mics, as outlined in this review.
At closer inspection, the Profiler could replace the dreaded open-reel logger. Mike Kernen shares his review.
A review of the FMX480, a 1RU device that includes an RBDS encoder, DARC encoder, stereo generator, multiplex optimizer and multiplex limiter.
Richard Hamilton reviews this phone/audio interface he uses to create an Internet talk show on trains.
Tim Wright reviews the Vadis DCII system.
WBHF-AM fixes some post-move challenges, as this review outlines.
WLIU reviews the audio codec for its remote needs.
Doug Irwin reviews the DSP-based on-air radio processors.
Mike Rogers reviews the Omnia-6EX on-air radio audio processor.
Don Mussell reviews the RF mapping software.
WQSX-FM chose the Intraplex for its IBOC upgrade and provides this review.
Audio self-expression can be found in Adobe's multi-track editing program.
Orban's Optimod-PC 1100 isn't a conventional FM or AM final processor.
Dead air is a program director's worst nightmare, and while no station is immune from it, this is easy insurance.
This interface facilitates making analog audio measurements with an oscilloscope.
What's old is new again with a series of Pro Tools effects plug-ins.
It looks unusual, but the Blue Mouse is a real performer.
The Otari DB-10 digital console features 10 input faders and a host of bells and whistles that make this console flexible.
WSM, Nashville, wasn't looking for a new audio processor, but after trying the Omnia 4.5, the change is welcomed as this review explains.
The Aduio TX Multiplex application provides the ability to broadcast multiple audio channels over a LAN.
Early solid-state audio spectrum instruments provided limited resolution, but the MSD100 offers a bright, easily read display of stereo separation and frequency dispersion.
Most digital equipment is woefuly lacking in its ability to display why it is unhappy. Luckily, the Digilyzer displays things such as lack of data compliance, bad cables or poor signal quality.
The Behringer Ultramatch SRC2000 is a digital processor, format converter, signal corrector and a digital distribution panel. It can accept digital signals encoded in any of three formats: AES/EBU, S/PDIF and TOSLINK.