Field Report: AdsWizz Audio Advertiser and Liquid Compass
Leighton Interactive likes the integration of Liquid Compass streaming services and the AdsWizz advertising platform.
Field Report: Sony Creative Software Sound Forge Pro 10
Chris Wygal thinks Sony Sound Forge Pro 10 is a veritable Swiss Army Knife for audio recording, restoration and mastering.
Field Report: Tieline Bridge-IT
The Flames Sports Network chose IP for college football and basketball broadcasts, and it relies on the Tieline Bridge-IT to get there and back.
Field Report: Deva Broadcast DB44
This IP-accessible, DSP-based analog FM monitoring receiver packs a lot of capability into a small package.
Field Report: Nagra SD
This sturdy handheld recorder has several plug-in mic elements for greater recording versatility.
Field Report: Harris PR&E NetWave
These Lehigh Valley Pennsylvania stations chose the NetWave to broadcast a high-quality on-air product while remaining within budget.
Field Report: Orban Optimod-FM 8600
Bill Eisenhamer of Lincoln Financial Media California likes the familiar feel and updated features of the Orban processor.
Field Report: Adobe Audition CS5.5
With its 5.5 release, Audition is now available for Mac users.
Field Report: Olympus DM-620
The most unique feature of this recorder is the Tresmic 3 microphone system.
Field Report: Harris Intraplex HD Link
The Intraplex HD Link is a 950MHz radio system that passes not only the typical program audio, but also HD Radio traffic between a studio location and a transmitter site.
Field Report: Blue Microphones Yeti Pro
This dual-purpose mic can be used with a USB or XLR connection.
Field Report: Avid Mbox Mini
This computer audio interface provides phantom power, direct line-in inputs for musical instruments or audio components, and features capture and mix for high-quality sessions, with up to 24-bit/48kHz audio resolution.
Field Report: Harris Broadcast PR&E Oasis
Available in an 8- or 12-channel chassis, Greg Savoldi says this console was exactly what his volunteer station needed.
Field Report: RDL EZ-MCP1 Mic Compressor
This inline compressor works its magic at the microphone low-impedance level, which Chris Wygal found handy for his remotes.
Field Report: Behringer EPA150
Gil Wilson has found a PA that takes up little space, provides enough sound to cover smaller areas and save his back all at the same time.
Field Report: Mackie Onyx Blackbird
Chris Wygal thinks the Onyx Blackbird is a fantastic solution for making a PC or Mac workstation a 16-track (or more) recording powerhouse.
Field Report: Belar FMHD-1
This flexible modulation monitor measures analog and digital IBOC signals.
Field Report: Blue Microphones Mikey
Chris Wygal reports that not only does Mikey complement recording technology, but now full-bandwidth audio can be captured, edited uploaded and transmitted live from a cellphone.
Field Report: IK Multimedia iRig Mic
Barry Thomas finds the iRig Mic is a useful tool for getting good quality audio into an iPhone, iPad or iPod Touch.
Field Report: Yamaha Stagepas 300
Gil Wilson's review of the Yamaha Stagepas 300 finds the system and ideal remote broadcast PA for medium-sized use.
Field Report: Electro-Voice RE320
In his review of the Electro-Voice RE320, Dan Israel says Electro-Voice has continued the heritage of the RE20/RE27 with the RE320.
Field Report: Audio-Technica AT4040
Gil Wilson overcomes his fear of condenser mics and welcomes the AT4040 into his facility.
Field Report: FM Services TLM-1
Here's a microprocessor-based system designed to monitor a tower's beacons, obstruction lamps, flash rate, photo control operation -- even the presence of an ATU heater bulb for winter months.
Field Report: Omnia One
Mike Kernen says the Omnia One is designed to lower cost, guesswork, confusion and space requirements for an audio processor.
Field Report: Halo Audio Affinity Acoustic Products
Ron Bartlebaugh tames room acoustics with several acoustic control products from Halo Audio.
