Most Popular Articles
Field Report: Blue Microphones Snowball
I think I may have found the coolest mic ever. The Snowball has a unique look and after running a few tests, it seems as though Blue Microphones puts high quality technology into a very attractive package.
Out of the box the first thing that appealed to me was the look and feel of the mic. It comes shipped with its own stand and when set up looks like a softball on a stand. Although it also feels like a softball in your hand, don't throw this baby: The inner workings in this mic pack a punch and I would not want to risk testing the durability of the packaging. Though I felt like juggling the mic, I decided to avoid possible accident-inducing actions and just test the mic out.
As with most guys/engineers and production persons, I decide to leave the instructions set aside and just plug and play. Well, plug-n-play, for this microphone is a reality. No software to install from CD or any other hassles. I simply plugged the USB cable into the mic and then straight into my laptop (running Windows 7). The mic was immediately recognized and installed.
Ready, set, record!
I went straight to my production software and started recording. It took me a couple of takes to get used to the mic – not any fault with the mic but I didn't think it was going to be as sensitive as it is. Sensitive in a good way: This little Snowball USB mic can really pick up sounds. The casing looks like you would have to get really close or shout, but this mic grasps all sounds. There are three pickup settings on the mic to choose from:
For my podcast recording I used the cardioid mode without the 10dB pad, which accurately captured my voice. I simply sat in my living room with no special settings and recorded. In fact, when I sent the review I told my editor I was testing out a new mic and not from the radio station. She replied, “Just curious – where did you record it in your house? Obviously you found a place that was quiet and the sound didn't bounce around. I'm not so sure it doesn't sound better than the recordings you did at the station. I'm impressed.” I was impressed myself.
Out of curiosity I tried a few recordings with the 10dB pad and liked that the louder sounds were recorded without any distortion or other annoying features that would cause me to trash a piece and have to begin again. One of the items I recorded was original music played on a piano. With the pad, all the loud sections of the song were mixed perfectly with the softer sections.
-- continued on page 2
Acceptable Use Policy blog comments powered by Disqus
[an error occurred while processing this directive]
Today in Radio History
The history of radio broadcasting extends beyond the work of a few famous inventors.
Read each issue online in our Digital Edition Format in your Web browser.
EAS Information More on EAS
The feed provides feeds for all US states and territories.
Need a calendar for your computer desktop? Use one of ours.
Information from manufacturers and associations about industry news, products, technology and business announcements.
Browse Back Issues[an error occurred while processing this directive]
Also in the December Issue
- Local Radio Spotlight: Koser Radio Group
- Trends in Technology: Streaming Audio Update
- Contest Rules Rewrite and EAS Issues
- Embedded Computing, With a Side of Pi
- Field Report: TASCAM US-366