The explosive use and integration of the AES format in radio broadcast facilities has prompted several manufacturers to get in the game by building test equipment.
The convention evolution continues as the long existing terrestrial radio coexists with the burgeoning Internet radio and the about-to-be launched satellite
All about wired connections at NAB2001.
The innovative phase of on-air playback systems has reached its peak.
Incrementally or all at once, the transition is coming. How digital is your facility?
The Web pages you visit, the e-mail you read, the music you download and the radio stations you listen to on the Internet are all delivered to you by TCP/IP.
The most critical focal point in a radio studio is the audio console.
When NPR planned its coverage of the Presidential inauguration in January 2001, the details of the election itself were the top headlines.
Establishing and maintaining your station's Internet presence is a full-time job. Having a presence on the Internet isn't exactly a walk in the park.
The on-air audio processor is the pallet, and the individual settings are your brushes. As listeners scan through the radio dial, different things can
The year is 1998. The setting is a professional football stadium in a large midwestern city. Technicians and crews have been working on and off for the
An event of the magnitude of the Super Bowl allows no room for error from the players or the media covering the game. The scenario at the beginning of
New products to be seen at NAB2001.
The Internet is based on a layered protocol model. Each layer provides specific services and has particular responsibilities. The Internet protocol, or
Wouldn't it be nice to send a recorder into the field that never came back to the shop for repair? Most field recorders rely on mechanical transports
Several years ago, I was setting up a remote access server for our employees to dial into our company LAN. I was amazed at how easy the setup was. Just
Chances are very good that you have been exposed to the artifacts of perceptual audio coding without even knowing it. Perceptual audio coding, in a general
Remote broadcasts for radio stations have always been challenging.
Leaving the comforts of the studio allows radio to shine in the limelight. Audio quality is important, but so is the physical presence of the station.