Field Report: Barix Technology Instreamer, Exstreamer 

Barix manufactures TCP/IP-based network amplified audio products that can be used within local area networks and over the Internet.

Streaming copyright royalties audited 

Starting in February 2006, Soundexchange began auditing 11 of the most popular Internet radio websites.

Webcasting royalty fees in play 

A new proceeding has begun to set the music copyright royalty fees that stations streaming on the Internet will pay to record companies and recording artists for 2006-2010. While the new fees are not likely to be finalized until late in 2006, they will apply retroactively to Jan. 1, 2006.

Broadcasting on the Wire 

Take control of your Internet presence and run your own streaming media show.

The Infinite Stream 

But how do Google searches and Itunes translate into advertising revenue?

When hi-fi meets Wi-Fi 

IBOC may or may not be the perfect solution, but with every other form of audio entertainment media moving to enhanced features and capabilities, terrestrial radio runs the risk of being left behind.

Field Report: Orban Optimod-PC 1100 

Orban's Optimod-PC 1100 isn't a conventional FM or AM final processor.

Shaping radio today and tomorrow 

A look back at the Philips DCC, an increase in high-speed Internet access, and 10 Years of Radio looks back at the IBOC tests of 1994.

What CARP means to you 

Until recently, broadcasting the same program material over the Internet was basically free. This changed in 2002, and it's going to cost you.

Capturing and Encoding on the Cheap 

Many years ago, capturing and encoding was a tedious process. Nowadays it's almost as easy as point, click and leave.

Shaping radio today and tomorrow 

The PC turns 21 | The Ramko Phasemaster | Trends in Webcasting

Websites that work 

Many elements can be part of a good website, but there are some elusive traits that can transform a good website into a great website.

Comments About the CARP Rate Announcements 

What does the radio industry think about the recent CARP rates? Read it all at BE Radio.

Revenue from the Web 

While creating a station website is a simple proposition, making a successful website, one that extends the station's goals and makes money is a bit more challenging.

Webcasting: A Primer 

Far from being complex and difficult, the process of webcasting is similar to traditional broadcasting models. It allows you to reach your audience at times you may not have reached them before.

Listener-customized webcasting 

Internet-audio streaming is evolving disparately from the traditional radio broadcast model as computer-domain opportunities increase.

Webcasting Made Legal 

A discussion of the the Digital Performance Right in Sound Recordings Act of 1995 (DPRA) and the Digital Millennium Copyright Act of 1998 (DMCA).

Online Audio Processing 

It is generally advisable to use a separate processor when setting up an Internet stream for the purpose of re-broadcasting your station over the Internet.

Perceptual audio encoding 

Devices that use some type of perceptual audio encoder have become ubiquitous in radio and TV broadcasting, as well as in recording and production studios.

Understanding the DMCA 

What's behind the claims of costs of the DMCA, the RIAA and AFTRA.

Streaming costs and benefits 

As online listening increases and costs follow, the decision to stream is no longer simple. After all, streaming is very different from the traditional broadcast model.

Targeted ad insertion 

The question of "How can I make money Webcasting?" has taken on the new twist of "How can I afford it?" Ad insertion systems, which were originally an evolutionary step toward creating new revenue sources, are now in the spotlight as a means to manage these new fees.

Streaming Under Attack 

Webcasters that survived the Copyright Office's December royalty decision have been dealt another nearly fatal blow.

Making Money on the Web (the 2001 plan) 

Making money online is possible by using the complimentary aspects of the website and radio.

Surviving the Internet 

We all know that habits change. Radio listening habits (and naturally radio itself) have undergone some changes from their origin. The most dramatic change

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