Most Popular Articles
Digital Audio Workstations
What was once considered a luxury has become a necessity. Digital audio workstations have proven to be a valuable part of any station's production equipment list. While the power and flexibility of these silent workhorses has increased, the relative costs have declined; a plus for the end user. In addition, the systems have become more specialized. Some are designed for large-scale work; others are designed for fast editing of two tracks. Some started in the professional arena and now offer reduced-feature versions, while some started as high-end consumer applications and have become enhanced along the way. Regardless of the paths they took to become the systems they are today, the variety of features and price points are sure to offer something for everyone.
Chances are good that your facility already has some kind of digital editing in use. There are some shareware programs available that offer basic functions. It may be that these suit the immediate need. Frequently, once the convenience of a digital system is understood, the demand for more functions, better effects and faster speed quickly follow.
Most DAWs can fit into one of two categories: computer-based and dedicated hardware. The dedicated hardware designs have a computer at their nerve centers, but they are not usually built around a typical computer operating system, such as Windows or Macintosh. Each method has its own unique set of operational characteristics and advantages.
Dedicated hardware systems tend to be self-contained devices, with the transport, editing and storage components built in. These systems may use an external monitor or have a built-in display. Some may look like computer-based systems, but they do not rely on a host computer for the user interface.
These specialized systems have the advantage of serving a singular purpose. Because they are optimized for a specific function, they tend to be fast and efficient. The proprietary operating system has one major advantage: users will not load games, extra programs and screen savers onto them, saving an extra maintenance call.
The biggest advantage to computer-based systems is that they provide a familiar user interface. Users already familiar with the computer's operating system will feel at home with the same mouse clicks and keyboard shortcuts that they already know.
Equipment networking is an important consideration for any equipment purchase today, but this is no longer a problem with DAWs, because most are able to connect to other devices in some way. Most now offer a standard communications port, typically Ethernet or USB. The systems that offer some other format can probably be interfaced without excessive trouble.
The networking capability is important to facilities with multiple editing stations. Files and projects can be shared between systems and libraries of sound effects, music beds and often-used material can be accessed as needed. In addition, completed productions can be saved to the on-air playback system in a single step. The system's networking may even support ancillary data relating to the audio file, such as a file name and other pertinent information.
A sample of availabledigital audio workstations.
The Orban Audicy2 has a dedicated analog-feel hardware
controller that provides a familiar user interface and transport
controls. Units are loaded with Optimod compression, Lexicon reverb and
time-fit time compression effects. Multiple units can be networked to
central servers or on-air systems via Windows XP. A production import
and export feature allows users to condense a complete production into
a single file, making it easier for users to bundle all the elements of
a multitrack production. It features linear PCM recording with 10
channels and 24-track editing and mixing. Frequently used sound files
can be saved to a library for quick retrieval.
Steinberg's Nuendo 2.0 is a media production system. All
program menus are user-configurable, enabling users to hide features
not regularly used. The controls for each track can also be configured
to each users way of working. The mixer is user-configurable and can
show a variety of display options. The system supports VST and DirectX
plug-ins. The software handles MIDI commands and can control and
manipulate MIDI devices. It offers unlimited undo/redo as a standard
asset. The Edit History window lists all actions made on a project.
Track and event actions from other editors over a TCP/IP network are
listed as well.
The Audion Labs Voxpro PC is a two-track recorder/editor that
can be networked for file sharing. One-button record facilitates
operation in any mode. The system can import all popular file formats
including MP3, AIFF, WMA and WAV, and it can export in multiple file
formats. The control surface provides a jog wheel and transport
controls. Unlimited undo and redo levels ease editing. The Voxpro
supports an external GPI for machine controls. On the control panel's
LCD screen, there are 130 Hot Keys per user available. The system will
store as much as 15 hours of stereo or 30 hours of mono recording per
10GB of drive space.
Digigram Xtrack Audio Suite (currently on version 4.4) is a
full-featured, flexible editor. It features an unlimited number of
virtual audio tracks that can be dynamically assigned to inputs and
outputs, with unassigned tracks serving as work tracks. Nondestructive
editing and processing functions include cut, copy, insert, replace,
drag and drop, fill with pattern, adjust to marker, time-stretching,
pitch-shifting and track merging. Auto-locate functions allow rapid
marking and recall of edit points. A key feature of Xtrack is its
ability to create a single sound file in PCM or MPEG format from a
multitrack mix, including edits, level automation and track
Sony Digital Pictures Sound Forge 7.0 includes new features
such as automated time-based recording, audio threshold record
triggering, VU meters for recording and playback, enhanced spectrum
analysis tools, DirectX plug-in effects automation, white, pink and
brown noise generators, Media Explorer previewing and project file
creation. The product will import 15 audio formats and export 17 audio
formats. A batch converter facilitates multiple file format
conversions. It supports sample rates from 2kHz to 192kHz and 8-bit,
16-bit, 24-bit and 32-bit resolutions. Sony recently purchased the
audio editor line from Sonic Foundry.
The Sadie Series 5 family offers several configurations,
including the PCM4 and PCM8. The PCM4 offers four inputs and four
outputs and up to 96kHz/24-bit audio recording. It supports AIFF, WAV
and BWF files and DirectX plug-ins. An optional hardware control
interface with moving fader mixing is available. Projects can be saved
to AIT, DDS, DLT and DVD-RAM. The system fully supports the AES-31
interchange. There are 50 levels of undo, and editing can be done down
to the individual sample. Sadie Radia users can upgrade to the Series
The SX-1LE from Tascam is based on the SX-1, offering similar
features in a scaled-down package. The self-contained system houses the
recorder, editor and control surface. It features 100mm touch-sensitive
moving faders, automation and simultaneous 16-track hard disk recording
at 24-bit resolution. It has 16 mic/line inputs, a 40-channel mix
engine, a six-channel stem recorder, a 128-channel MIDI sequencer and
an external XVGA output. As many as 999 virtual tracks can be used. The
jog/shuttle wheel can scrub audio and MIDI data simultaneously. It
includes a 100baseT Ethernet port and expansion slots for 24 more
channels of additional analog I/O or digital I/O.
Adobe recently acquired Cool Edit from Syntrillium and has renamed
it Audition. It allows users to record, edit and mix 32-bit
files using any sample rate up to 10MHz. All edits are sample-accurate
and can be automatically snapped to zero crossings. Short crossfades
can be added for pop-free cuts. More than 45 digital signal processing
(DSP) tools and effects, mastering and analysis tools and audio
restoration features are included. The software also supports
third-party DirectX plug-ins. Original, royalty-free, performance-based
music loops are available in a wide range of musical styles. Files can
be manipulated in an integrated multitrack mixing view or a mono and
stereo waveform editing view.
Digidesign Pro Tools HD offers audio professionals quality
and efficiency through an integrated production environment. It is
available in three basic configurations: HD 1, HD 2 Accel and HD 3
Accel. Designed for use with a Digidesign-approved PC or Mac, Pro Tools
HD system components include the following: Pro Tools TDM software; a
Pro Tools HD Core Card; one or two Pro Tools HD Accel cards (with HD 2
Accel or HD 3 Accel, respectively). Each Core system requires at least
one Pro Tools HD audio interface, such as a 192 I/O, 192 Digital I/O,
96 I/O or 96i, to handle the input and output (I/O) of audio signals to
and from the system. Core systems can be expanded as needs
The Dream Satellite from Fairlight is a 16-, 32- or 48-track
digital audio workstation. It is compatible with Fairlight's MFX3plus
and QDC-based project formats and provides 96kHz/24-bit audio
performance. System sample rates are adjustable in five steps from
32kHz to 96kHz. Four-band parametric equalization can be applied to
each clip in a project and set using an interactive screen. Crossfades
and fades may be applied to any clips at any time, with a variety of
user-defined laws, and all clips have independent real-time level
adjustment. All DSP functions are performed in real time, with no
rendering required. The Fairlight Medialink audio network provides
The Mackie HDR24/96 is non-destructive editor the can lay
down eight takes on the same track and then compile them together into
a final take. The user can jump to any point in a production in
milliseconds and slip, slide and nudge tracks back and forth. The
system integrates with Mackie's d8b for extra functionality. It
supports 24 tracks and as many as 192 virtual tracks at 48kHz sampling
rate. The mouse, keyboard, monitor and 100base-T Ethernet ports are
built-in; no external computer is needed. Optional remotes are
available from Mackie.
The 360 Systems Shortcut is a two-track, hard-disk recorder
and editor designed for fast editing and playback. The operating
controls combine familiar tape machine functions and word processor
labeling. The weighted jog wheel provides a simulated tape reel scrub
editing, while a waveform display assists with critical editing
decisions. One-handed editing is possible because of the grouping of
the edit-function keys. Audio clips can be saved and recalled. Hot-Keys
can immediately play up to 10 stored audio segments. A file conversion
utility allows the unit to share files with other DAWs, and it can read
and write WAV, BWF, SD-2 and AIFF file formats.
The Roland VS series of recorders/editors includes the
VS-1824CD, an 18-track digital recording studio with built-in
effects and CD-RW drive. It supports as many as 288 virtual tracks, has
a 28-channel automated digital mixing and onboard effects that include
dynamics, EQ, guitar amp modeling and microphone modeling. The internal
CD-RW allows for easy data backup, creation of audio CDs and direct
import of loops into tracks. Additional features include an internal
10GB hard drive, an optional effects expansion board, CD audio capture
(file ripping) and an onboard auto-mix function for creating perfect
TC Electronic is now shipping Spark 2.8.1. This latest
version features support for burning multiple CDs from a single
playlist, Audio Units plug-in support for the batch converter and
automatic plug-in delay compensation for the playback cursor. In
addition, new user settings for the Preferences dialog have been added,
as well as preloading-support for Waves' plug-in shell. The edit view
features the waveform display with two views for details and overview.
Spark runs on Macintosh OS X, requires a G3 300MHz or better with 256MB
RAM. A CD burner, Core Audio compatible I/O device and Quick Time 6 are
Turn to the Radio magazine Online Buyers Guide for complete manufacturer contact information and websites, and product category listings. It's a Radio magazine exclusive at www.beradio.com.
Acceptable Use Policy blog comments powered by Disqus
[an error occurred while processing this directive]
Today in Radio History
The history of radio broadcasting extends beyond the work of a few famous inventors.
EAS Information More on EAS
The feed provides feeds for all US states and territories.
Need a calendar for your computer desktop? Use one of ours.
Information from manufacturers and associations about industry news, products, technology and business announcements.
When building its new broadcast production vehicle, MRN applied lessons learned from the past.
Browse Back Issues[an error occurred while processing this directive]
Also in the April Issue
- Update on Transmitters
- On-air Missteps to Avoid
- Tower Lease Renegotiation
- New Products
- Applied Technology: Streaming with the MPEG HE-AAC Audio Codec
- Side by Side: Studio Furniture
- Practical Use: Circulators and Isolators